Wendy Ohata has just made three startling realizations: One, she has a twin brother named Vincent. Two, she’s a kami-jin – a descendent of an ancient Japanese people who can turn paper into deadly weapons. And three, there’s a kami-jin warrior named Sadako hunting her down for reasons she doesn’t understand.
In Victorian London, England, a little mouse girl’s toymaker father is abducted by a peglegged bat. She enlists the aid of Basil of Baker Street, the rodent world’s answer to Sherlock Holmes. The case expands as Basil uncovers the crime’s link to a plot against the Crown itself.
A group of teenagers who take after their parents and join the stalker club during all this drama a mysterious person in a mask is coming after all of them.
In 2050, artificial intelligence is everywhere. So much so that humanity relies on it to satisfy its every need and every desire even the most secret and wicked. In a quiet residential area, four domestic robots suddenly decide to take their masters hostage in their own home. Locked together, a not-quite-so-blended family, an intrusive neighbour and her enterprising sex-robot are now forced to put up with each other in an increasingly hysterical atmosphere. While, outside, the Yonyx, the latest generation of androids, are trying to take over. As the threat draws closer, the humans look elsewhere, get jealous, and rip into each other under the bewildered eyes of their indoor robots. Maybe it’s the robots who’ve got a soul or not.
Based upon four of writer-director Donald F. Glut’s short stories published in his book TALES OF FRANKENSTEIN: “My Creation, My Beloved” (a deformed descendant of Victor Frankenstein creates the perfect man and woman), “Crawler from the Grave” (another Frankenstein descendant’s disembodied, plague-infected arm returns from the grave for revenge), “Madhouse of Death” (a private detective winds up in an old dark house filled with loonies…and a gorilla) and “Dr. Karnstein’s Creation” (a mad doctor creates a monster in vampire-haunted Transylvania – with gruesomely unexpected results).
The Paranormal Activity franchise continues with this third outing from Paramount Pictures. Oren Peli and Jason Blum return to produce the highly secretive feature, with Catfish’s directing duo of Henry Joost and Ariel Schulman taking on the helming duties.
Part 1 – After a young, middle class couple moves into a suburban ‘starter’ tract house, they become increasingly disturbed by a presence that may or may not be somehow demonic but is certainly most active in the middle of the night. Especially when they sleep. Or try to.
Part 2 – After experiencing what they think are a series of “break-ins”, a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
After two marriages are put in extremely strenuous situations, loyalty is challenged as well as four individuals’ relationships with God.
A woman’s life is turned upside down when her criminal parents invite an outsider to join them on a major heist they’re planning.
A small road at the Québec-New Brunswick border becomes a lightning rod of conflict between the new Québec military, the Canadian Armed Forces and two indigenous women who traverse the border frequently.
Chelsea Handler is back and better than ever – and not just because she started going to therapy and consuming cannabis. Marking her much-anticipated return to stand-up after six years, Chelsea Handler: Evolution finds the trailblazing comedian in her home state of New Jersey, fresh off the national tour of her latest New York Times #1 bestselling memoir, and at the top of her game. Evolution is her most candid, intimate material to date. Intertwining hilarious and brutally honest stories about her family, friends, and her first foray into therapy, Handler reflects on her personal journey toward self-awareness, reminding audiences why she’s one of the most successful and outspoken voices in comedy.
Two best friends who break up with their girlfriends at the same time, subsequently deciding to move in with each other.
