The adoptive son of the Adattu family, Marco, sets off on a ruthless quest for vengeance after his brother is brutally murdered, finding only betrayal, loss and unimaginable brutality at every step.

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Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James “Thunder” Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due?

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Follows two colleagues who in different ways struggle with the same issues about their sexuality.

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Ash, who is trying to earn money to raise his 14-year-old sister and send his mother to rehab, gets caught up with an organized crime ring led by a young and charismatic Albanian immigrant.

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A modern transgressive thriller, Pimped follows Sarah Montrose, a woman who isn’t well-equipped to live within society’s accepted lines of behaviour, struggling with her own identity, desires, and loves. When all this is threatened by a monster, Sarah calls on all her strength and cunning to do battle with a psychopath, and her own inner demon.

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When a 15th-century prince denounces God after the loss of his wife he inherits an eternal curse: he becomes Dracula. Condemned to wander the centuries, he defies fate and death, guided by a single hope – to be reunited with his lost love.

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A woman, grieving her daughter’s death in the Christchurch quakes, becomes a substitute teacher at an elite school. Unexpectedly, she discovers students lacking guidance and care, prompting her to provide inspiration and support.

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Reminiscent of American Sniper and the Academy Award–winning The Hurt Locker, Hyena Road plunges deep to the heart of the Afghanistan war zone. Three men stand at the intersection of modern warfare – a murky world of fluid morality where all is not as it seems. Thrown together are Pete, a veteran ISAF intelligence officer, Ryan, a Canadian sniper, and The Ghost, a legendary mujahedeen warrior who has mysterious reappeared. Three different men, three different worlds, three different wars.

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In New York City’s late nineties, a young aspiring writer lands a day-job at J.D. Salinger’s literary agency. While her eccentric and old-fashioned boss tasks her to process Salinger’s voluminous fan mail, she struggles to find her own voice.

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Kate attends her estranged sister’s bachelorette party at the request of their dying father. The weekend, held at a remote cabin booked on a home sharing app, turns into a savage life-or-death struggle that pits family against family, and past against present.

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A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

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Action buffs will have a fine time with the spray of bullets, shattering glass, and pyrotechnic explosions that makes up the bulk of Assault on Precinct 13. This high-concept thriller is mostly a brutal non-stop kill-fest, and is very happy with itself for being so efficient in both categories.

A decrepit police station on its last night before retirement – New Year’s Eve, no less – plays unexpected home to a gang of criminals who become snowbound in the basement lockup. Another mysterious gang of people who stealthily gather in the blizzard outside want one of the particularly nasty criminals (Laurence Fishburne) dead, and they’ll take the rest of the precinct down too, by golly. The odd lot of characters trapped inside include a burned-out sergeant (Ethan Hawke), a sexpot secretary, an even sexier police psychologist, and various other good guys and bad guys who variously go down in blazes of guts, glory, bullets, and fire. Hawke and Fishburne are opposite sides of the coin: the law, and the bathroom scale. Their need to partner in order to survive the guns outside is the movie’s moral conflict, and both actors chew on Precinct 13’s peeling walls and scuffed floors to drive the point home every chance they get in an industrial section of Detroit for the climactic showdown.

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