It’s the ultimate buddy cop movie except for one thing: they’re not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted “heroes” get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.
Based on a true story. Set during the 2009 Football season. Ben ‘Zagger’ Zagowski and Nick ‘Polano’ Polano, best friends and co-workers, buy a house in the parking lot of Lambeau Field (home of the Packers), and are forced to pick between a football fan lifestyle and a girl. Lives change. There’s a cow.
Stanley Kubrick’s striking visual interpretation of Anthony Burgess’s famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people’s homes, and raping women.
While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess’s dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime. A Clockwork Orange works on many levels – visual, social, political, and sexual – and is one of the few films that hold up under repeated viewings. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos’s electronic classical work) to underscore the violent scenes, which even today are disturbing in their display of sheer nihilism. Ironically, many fans of the film have missed that point, sadly being entertained by its brutality rather than being repulsed by it.
Photographer Richard Billingham returns to the squalid council flat outside of Birmingham where he and his brother were raised, in a confrontation and reconciliation with parents Ray and Liz.
Graboids are illegally taken to a new island resort by a rich playboy as a dangerous form of trophy hunting, and Burt Gummer steps up to save the day.
A wealthy Developer tries to remove settlers from his newly acquired land, which leads to dire consequences.
In the hustle and bustle of 1950s Coney Island, where the buzzing crowd comes and goes trudging slowly over the wooden boardwalks, silent stories of the everyday toilers who give life to the attraction unfold. Somewhere in a clam bar, there’s the sad waitress Ginny, a one-time actress and now a suffering wife who’s been given a second chance by the side of the well-intentioned but uncouth carousel operator, Humpty. On the other hand, there’s Humpty’s 26-year-old estranged daughter, Carolina, who left the familial nest and a preordained future seeking adventure as a mobster’s wife; only to return home with her wings broken, begging for forgiveness. And from the lifeguard’s high tower, where all is in plain sight, the young and charming lifesaver and hopeful playwright, Mickey, is the inadvertent but potent catalyst that binds everything together. Shattered dreams, reckless love and betrayal, all under the bright lights of Coney Island.
Old school grandfather Artie (Billy Crystal), who is accustomed to calling the shots, meets his match when he and his eager-to-please wife Diane (Bette Midler) agree to babysit their three grandkids when their type-A helicopter parents (Marisa Tomei, Tom Everett Scott) go away for work. But when 21st century problems collide with Artie and Diane’s old school methods of tough rules, lots of love and old-fashioned games, it’s learning to bend – and not holding your ground – that binds a family together.
At a music camp for gifted teens, a popular teen idol overhears a girl singing and sets out to find who the talented voice belongs to. What he doesn’t know is that the girl is actually a camp kitchen worker with a fear of being heard.
The story sees Courtney as Cal, a by-the-book police officer who makes ends meet as a Marine Corps reservist along with his rowdy and inseparable group of childhood friends. When Cal’s younger, reckless half-brother Oyster (Wolff) accidentally kills a guy in a bar fight and tries to flee, Cal forces him to face the music. After an unfair sentence, Oyster fights for survival in a dangerous Pennsylvania prison system while Cal and his friends are deployed to fight the lethal insurgency in Iraq. Overseas, Cal’s world is shaken, and after he barely makes it home alive, he resolves to break Oyster out of prison – no matter the cost.
A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.
A 19th-century widow has to make an impossible choice when, during an especially cruel winter, a foreign ship sinks off the coast of her Icelandic fishing village.
